The Slippery Slope
 American Beauty (1999) - Thomas Newman It took me fifteen years to discover I had no talent for writing, but I couldn’t give it up because by that time I was too famous. 
The Carnivorous Carnival
The Hostile Hospital
As a writer, ideas should be coming to you from everywhere.
Scenes, characters, situations that people find themselves in. You should be seeing these things on a regular basis, and writing them down. And if that scene, character, and situation is something that holds your interest. That is when you should consider expanding it, and developing it in to a story. You may well ask, where do I find such ideas? If you are a writer, you shouldn't really be asking this question. Read books, comics, novels, poetry, magazines, news articles in papers, the internet. When you overhear a conversation, or while in a conversation. Something may well spark that light-bulb. Watch movies, TV shows. Ideas are all around you. That's why should carry a little notepad around with you in order to write them down, and if they stick with you, you'll probably end up using them in a story. You see something that interests you while out walking. A burned out car, a battered bike. A homeless guy carrying some bedding. There are endless ideas for stories everywhere. Maybe you look up at the sky one night and see a meteor shower, or flickering lights. What are they? Where are they going? Is there an idea (concept) here for a workable story? The hard part is figuring out which of these ideas and concepts is workable. Some ideas just aren't workable, while many are. If you really are a writer, this is not the question you should be asking. There are no shortcuts. Best of luck with finding those allusive ideas. I wrote this way back on the 14th February 2012 for Trigger Street Labs, after I was awarded reviewer of the month.
Random thoughts on my review process. I've been asked to write a few words on my review process, so here goes. Not sure how much more I can add that hasn't been said. But I'll give it a try. Before I start a review, I'll usually copy and paste the title, log line, genre, length of the piece into my word processor before I start making notes. I'll make notes in my word processor as I read. First thing I look at is the page length of the piece and how that corresponds to the genre. Usually the page count can be an indicator of problems, especially if it's heading past the 120 mark. Not always, but usually. The process I go through can vary, sometimes I'll read the first five, ten pages and make notes on them first. Personally I think those opening pages are extremely important. As a writer, I really believe that your main hurdle is the reader. They are the gate keepers, if you can crack those first ten, fifteen pages and draw the reader in, then you have a good chance of keeping them glued to their seats and reading your piece all the way to the end. Other times I'll jump straight in and make page by page notes all the way to the end. Not every page, but as many as possible. I'll try and give examples of things that didn't sit well with me. Perhaps a slugline, action or description could be better written. An action or piece of dialogue that could be better conveyed to the reader. I'll try and show the writer possible ways of doing it. Maybe it's right, maybe it's wrong. But at least by doing so, it's been brought to the attention of the writer. I'll try and point out spelling mistakes if I can and where they are. That's one of the good things about getting feedback. As a writer, you can get extremely close to your work and fail to see the wood for the trees. So having someone else read through it and point out mistakes and problems with it is extremely valuable. Such as plot holes, underdeveloped characters, too many characters etc. Sometimes I'll give myself a challenge and review a very long screenplay. I won't however do this all at once. I'll look at the page length and then I'll divide it into blocks. So if I'm short on time, and I have a 120 page screenplay or more. I'll read through blocks of 30 pages and make notes and so on, until I'm finished. That way, you're not rushing through it. When getting feedback from people, I really appreciate the following:
If while reading I come across these types of things and others, I'll make a note of it. I remember I had a very useful review from someone who suggested I take the last Act of one of my screenplays and use it as the first Act as the first two acts were pretty darn slow. Hopefully I'll get around to rewriting that one at some point. To sum up. I make notes as I read, referencing page numbers and then I try and sum up the best I can what worked and what didn't work at the end. The one thing I've noticed, is that I'm quite harsh when it comes to reviewing. I don't do this to be mean as I normally spend a good 3, 4, and on occasions 5 hours reading and writing up my reviews. I hope the above is useful to some degree. As someone who writes myself, you have to remember as a writer that you're in charge of the world that you're creating on the page. It's up to you as to what you use and discard. However, if you have several people pointing out the same things, which is something I tend to look for in reviews of my own work. Then there's probably a problem that needs addressing. Keep writing! N.B. I think that reading and doing reviews is one of the best ways to learn about the writing process. As well as the actual writing! Hope that makes sense. Write, write, write. There’s no magic formula for writing a great script. |
Welcome to Russell’s website. A storyteller who enjoys writing screenplays for movies. Even though the process is hard. It keeps his imagination working overtime.
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